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摘要: 由澳门梭哈发起的“时时博”活动，自今年年初开展以来，得到盈丰国际玩家的热情参与，一批独具诱惑力的优惠展现在我们的面前！
& 时时博：&时时博耸了耸肩，没有任务就没有呗，就算倒贴功德值，这小鬼子也是需要打的。
“你们一起上吗？”安倍清河显然对于这个群体的力量还是略微有点顾忌，毕竟双拳难敌四手，如果是一两个人他还自信能打得过，可是要所有人一起上，那蚂蚁啃象也能咬死自己。
山西路翠玉堂离时时博家并不远，就在山西路商圈最繁华的步行街上，三层楼面，一楼主做黄金饰品和普通的玉器，二楼主做精品玉器和高档宝石，三楼则是澳门梭哈的办公区域和贵宾室以及保险库的所在。
那个巴掌大的的盾牌正完好无损的静静躺在他的手边，只那么一瞬间，时时博就可以判断出，这盾牌绝对是个好东西。
“呵呵，不错，小子有种。不过这才刚刚开始哦。”说完，时时博直接抓起了桌子上的二锅头，一仰头，不过三五秒的时间，一瓶二锅头就灌进了他的肚子里。
至于说车子，时时博通过这几次行动发现了，没有自己的车真不方便，打车有时候打不到不说，隐蔽性还没有保证。
时时博点了点头，对可比克说道：“一路顺风，以后等我变强了，会去库卡星找你的，到时候我们再把酒言欢！”
“倒不是实力强大到无可匹敌的地步，主要是他的体型庞大，皮糙肉厚，我们的攻击手段都是点对点的，打上去以后一个小口子对他造成不了什么巨大的伤害，而他的庞大身躯赋予了他极强的力量，我还好，可以虚化身体，老鹰和老猫被他的尾巴扫了一下，肋骨都断了几根。”孤狼说道。
“老大，我们跟你一起去吧！”牛鞭一听时时博要独立和胡美儿交谈，连忙出言道。
“那不一样吗，我在拍卖会上就买了这把烂剑！”时时博快要抓狂了。
“不认识啊，按理说来这里的就算是凡人，也是非富即贵，有头有脸的，做事都是谨慎再谨慎，我也是第一次在拍卖会上遇到这种二货啊，可能是外省来的暴发户吧。听口音不像是南都人。”鼠二摇了摇头说道，说实在的，在这里还真就没见过这么无脑的家伙，这简直就是个奇葩，居然在这里嚣张摆阔？出来前，他家里人没有教过他要低调嘛。
果不其然，时时博的电话随即响起，他拿起来一看，是马脸的来电，马脸在电话里就说了三个字：“搞定了！”
“如果这样的话，教会的那帮家伙岂不是死定了？黑暗议会在里面的实力可是比他们强上很多啊，再加上人家是主场作战，打他们还不是轻而易举吗？”马脸担心的问道。
阎王爷，阎王爷，没有个生死簿还叫个屁的阎王爷啊。It’s obvious to anyone who checks this space regularly that I’ve been absent for a handful of months — here’s the podcast I did for my theater, The Cinefamily, back in April.
I just finished Episode #10, but I’ll post that here in the next few days.
Episode #09 was recorded under the heavy influence of , the mad Polish film genius whose soundtracks are just as bloody, sumptuous and frenetic as the music contained here.
Welcome To L.A. – The Heart Is A Lonely Hunter (Richard Baskin)
————
Stridulum aka The Visitor – Stridulum Theme (Franco Micalizzi)
Stridulum aka The Visitor – Hospital Sequence (Franco Micalizzi)
Stridulum aka The Visitor – Jerzy Again (Franco Micalizzi)
Stridulum aka The Visitor – Atmosphere (Franco Micalizzi)
Stridulum aka The Visitor – Stridulum Theme #2 (Franco Micalizzi)
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Blue Jeans – Blue Jeans (Nico Fidenco)
Belladonna of Sadmess – Take It Easy (Masahiko Sato)
The Naked Ape – The Elephant Hunt (Jimmy Webb)
Madeline, Story of a Nightmare – Ipnosi (Maurizio Vandelli)
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L’Amour Braque – Prologue (Stanislas Syrewicz)
L’Amour Braque – Epilogue: Où Tu Voudras, Quand Tu Voudras (Stanislas Syrewicz)
The Important Thing Is To Love – Love Theme (Georges Delerue)
My Nights Are More Beautiful Than Your Days – Opening Credits (Andrzej Korzynski)
La Femme Publique – Générique Début: Version Longue (Alain Wisniak)
La Femme Publique – Ethel’s Tango (Alain Wisniak)
Possession – Opening Credits (Andrzej Korzynski)
Szamanka – End Credits (Andrzej Korzynski)
————
On The Silver Globe – End Credits (Andrzej Korzynski)
ISABELLE ADJANI – “PULL MARINE” (1983)
Everyone close to me is now thankfully obsessed with , the shamanic and completely unique 1981 horror film about divorce starring Sam Neill and Isabelle Adjani.
This is a “holy fucking shit!” kind of film experience which I’ve been waiting to lay on my frie it
was written and directed by the incredible, unmistakable Andrzej Zulawski, the Polish filmmaker whose work has unfortunately barely made a dent in the U.S., but enjoys a solidly insane reputation in Europe and elsewhere.
My theater (The Cinefamily) just concluded a full retrospective of Zulawski’s films, and the retro included a week-long run of the brand-new 35mm print of Possession. This was the one film series which we’ve wanted to do since we opened in 2007 — and in March 2012, we finally got our wish.
Since she appeared on the film scene in the ’70s, Adjani has always been viewed as a (ahem!) peculiar personality, and “Pull Marine”, which appeared in 1983, was her lone skewed foray into the world of pop music.
Anchored by a titular hit single written by Serge Gainsbourg, the album was a million-seller in France, and is a terrific ride through the Gallic pop funhouse.
Adjani’s voice is one that perks up your ears: it’s impassioned, anxiety-laden, and makes you feel like she could deliver a soft punt to your throat at any time.
Doesn’t sound punky, or violent — just on the edge of a sublime breakdown.
is an amazing object all its own, filled with bugged-out imagery that looks ripped straight out of a Zulawski film!
THE LINKS – “AND AGAIN ONCE AGAIN THE LINKS” (197?)
I was just hipped to this one by a good friend a few days ago — and it is one wonderfully ridiculous piece of work that’s been making the blogosphere rounds over the last few months.
In the incarnation pictured on this album cover, the Links were a lounge act featuring a brother duo plus a third dude — they had several albums during the first half of the ’70s (the LP covers of which you can take a gander at .
Here on this album, their covers of MOR radio hits of the day are (ahem) HIGH OCTANE, to say the least.
On a handful of these tracks, all nuances of vocal phrasing and instrumental arrangements of the originals are completely swept away, in favor of wildly galloping weirdness that sounds like a glee club doused with PCP.
The true winner on this record is their cover of “Vehicle”, originally by The Ides of March (already a stridently ridiculous song to begin with).
The Links’ version is a slap-happy mish-mosh of baritone auctioneer vocals, garage rock tropes and dizzying organ runs that veer into out-of-control warped-vinyl territory.
A strong second reason to jam this into your ears this instant is their take on “I Can See Clearly Now”, which recalls the Buzzcocks at their most jittery!
Nowadays, The Links consists of one of the guys, plus his wife, plus [once again!] a third member form an outside party.
According to their own website, “You will find Mary & Diana performing regularly as The Links Duo in the senior market in the independent and assisted living facilities in Omaha, Lincoln and surrounding areas…But wait…. There’s more!
Mary and Diana along with Jimmy as “The Trio” perform regularly for Nostalgia Wednesdays at Anthony’s Steakhouse in the Ozone, often with special guests.”
It’s been some weeks now, but it was time to put together another soundtrack mixtape for ya.
A significant number of tracks this time around come straight from audio rips of the films themselves, as many of the movies in question have never had official soundtrack releases!
My Boys Are Good Boys – My Boys Are Good Boys (Dorsey Burnette)
Sextette – Love Will Keep us Together (Mae West & Timothy Dalton)
The Squeeze
– Opening Credits (David Hentschel)
————
Soldier of Orange – Title Theme (Rogier van Otterloo)
The Kingdom – Opening Theme (Joachim Holbek)
The Heart of the World – Time, Forward! (Georgy Sviridov)
Hugo The Hippo – Zing Zong (Burt Keyes)
————
Loose Shoes – Tight Pussy, New Shoes and A Warm Place To Shit (????)
30 Is A Dangerous Age, Cynthia – The Real Stuff (Dudley Moore)
Cocaine: One Man’s Seduction – End Credits (Brad Fiedel)
Murphy’s Law – Murphy’s Law (Kathleen Wilhoite)
————
Police Academy 4: Citizens On Patrol – Citizens On Patrol (Michael Winslow & The L.A. Dream Team)
Weekend Pass – Weekend Pass (Joan Baer)
Escape From The Insane Asylum (aka Night of Terror) – End Credits (Rick Vartian)
Police Academy 4: Citizens On Patrol – Let’s Go To Heaven In My Car (Brian Wilson)
————
Police Academy 6: City Under Siege – the worst rapping on Earth (Marion Ramsay, Bubba Smith & ????)
Twin Peaks: Fire Walk With Me – Questions In A World of Blue (Julee Cruise)
The Phantom of the Paradise – The Hell of It (Paul Williams)
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Human Highway – Hey Hey My My (Devo & Neil Young)
Posted in ,
Good god, six weeks between the last post and this one?!?!
You should be ashamed of yourself!
We’ve been much busy here in the office with a gazillion different items, but we’ve finally coughed out the next episode of this show — a few weeks later, but better later than never.
We went with the horror film theme again, basically because we wanted to.
Inferno – Mater Tenebrarum (Keith Emerson)
Return of the Living Dead – Trioxin Theme (Francis Haines)
– End Credits Theme (Phil Settle)
Forbidden World aka Mutant – End Credits Theme (Susan Justin)
————
Cat People – Leopard Tree Dream (Giorgio Moroder)
Conquest – Night Creatures (Claudio Simonetti)
Zombie – Sequence 2 (Fabio Frizzi)
Emanuelle And The Last Cannibals – The Dark Side of the Soul II (Nico Fidenco)
Anthrophophagus The Beast – Main Theme/Padre Snaturato (Marcello Giombini Leon)
————
The Monster Club – Monsters Rule O.K. (The Viewers)
Terror On Tour – Forever Love (???)
Phantasm – End of the Game (Fred Myrow & Malcolm Seagrave)
Night Train To Terror – ??? aka Everybody But You (???)
————
Nightbreed – Meat For The Beast (Danny Elfman)
Q: The Winged Serpent – End Credits Theme (Robert O. Raglund)
Bad Moon – Nepal (Daniel Licht)
Dawn of the Mummy – End Credits Theme (Shuki Levy)
Axe – Opening Credits Theme (George Newman Shaw & John Willhelm)
Nosferatu (1979) – Mantra I (Popol Vuh)
————
The Sadist Has Red Teeth – ??? (Raymond LeGrande)
Necromania
– ??? (Hubler/Schwab)
Shiver of the Vampires – Shiver of the Vampires (Acanthus)
Devil’s Nightmare – Demon Arise (Allesandro Allesandroni)
————
Troll 2 – End Credits (Carlo Maria Cordio)
This horror-themed playlist is the first time that Bret and Nicolaou have collaborated together on an episode of the podcast — spot which tracks came from whom, and win a year’s supply of canned soup!
Friday The 13th Part 3 – Disco Theme (Hot Ice)
The Fearless Vampire Killers – Main Title (Krzysztof Komeda)
The Black Cat
– The Black Cat (Scotty McKay)
Shoobie Doobie Moon – You Make Me Feel Like A Monster (John Harrison)
————
Sugar Hill – Supernatural Voodoo Woman (The Originals)
Shock – Tema Di Marco – Tema Di Marco II (Libra)
Tenebre – Slow Circus (Goblin)
The Blob (1958) – Beware of the Blob (Burt Bacharach)
————
Gremlins – The Gremlins Rag (Jerry Goldsmith)
Howling II – Howling Theme (The London Theatre Orchestra)
Deadly Friend – B.B. (Charles Bernstein?)
The 12th Paris International Fantasy & Science Fiction Film Festival – Bloodnight (Yan Tregger)
————
TerrorVision – Terrorvision (The Fibonaccis)
The Keep – Ancient Powerplant (Tangerine Dream)
The Dunwich Horror – Black Mass (Les Baxter)
Boardinghouse – Opening Theme (33 1/3?
————
Fiend For Flesh – Coming Attraction
The Stuff – 2 commercials
————
Trick Or Treat – Trick Or Treat (Fastway)
Hard Rock Zombies – Zombies Lure Ghouls (Paul Sabu)
Rocktober Blood – Killer On The Loose (Sorcery)
Rock ‘N Roll Nightmare – We Accept The Challenge (Jon Mikl Thor)
Dreamaniac – ?? (Tom Milano/Don Great)
————
The Green Slime – The Green Slime (Richard Delvy)
Posted in ,
The Cinefamily’s Alex Nicolaou is back with another hour-plus set.
KA-PLABBO!
song from Vice Squad alone is worth the download here, let alone all the other cool stuff —
Performance – Memo From Turner (Mick Jagger, Keith Richards / Guitar: Ry Cooder)
Who Dares Wins – Commando (Roy Budd)
Zoo Folle – Space And Freedom (Giuliano Sorgini)
Viva La Muerte – Ekkoleg (Grethe Agatz)
————
Vice Squad – Neon Slime (Joe Renzetti / Vocals: Wings Hauser)
Sea Of Joy – Down To The Sea (Tully)
The 5000 Fingers of Dr. T – Do-Mi-Do Duds (Frederic Hollander / Lyrics: Dr. Seuss)
Brigade Mondaine – Phonic (Cerrone)
———–
Beyond The Valley Of The Dolls – Find It (Stu Phillips & Bob Stone / Voc: Lynn Carey)
Deliverance – Eight More Miles to Louisiana (Eric Weissberg & Marshall Brickman)
Last House On The Left – Wait For The Rain (David Hess)
A Boy And His Dog – A Boy And His Dog (Tim McIntire)
————
Sweet Movie – Is There Life On The Earth (Manos Xatzidakis / Voc: Anne Lonnenberg)
Visa de Censure No. X – Novavana (Delired Cameleon Family [Clearlight])
La Cicatrice Intérieure – Abschied (Nico)
The Conformist – O.K. Bull (Georges Delerue)
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Codice D’Amore Orientale – Kamasutra (Alberto Baldan Bembo & Blue Marvin Orchestra)
The Wicker Man (1973) – Maypole (Paul Giovanni & Magnet)
A Zed And Two Noughts – Car Wash (Michael Nyman)
Cannibal Holocaust – Main Theme (Riz Ortolani)
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Percy – God’s Children (The Kinks)
This episode, I’m joined by guest DJ Nathaniel Thompson — a longtime friend of the revival movie theater I program (the Cinefamily), a fantastic collector of soundtracks, and the man responsible for producing the 3-disc special edition DVD of Caligula ( he actually did that!)
Father Jackleg – Sounds and Voices (Guido & Maurizio De Angelis)
Looker – Theme from Looker (sung by Sue Saad)
Demons 2 – Sally’s Garage (Simon Boswell)
Tourist Trap – Dreamwake (Pino Donaggio)
Dear Parents – Meeting at Pub Swan #2 (Riz Ortolani)
————
Score – Shake Tragico (Amadeo Tomassi)
Venus in Furs – Marco Polo (Syd Dale)
The Name of the Game Is Kill! – Theme for Love (Stu Phillips)
The People Next Door – Sweet Medusa (sung by Bead Game)
———–
The Garbage Pail Kids Movie – Follow (Also Sprach the King of Eurodisco) (sung by Ed Kuepper)
Groupie Girl – Yesterday’s Hero (English Rose)
Dead and Buried – Welcome to Potter’s Bluff (Joe Renzetti)
Proof – Walk (Not Drowning, Waving)
————
The Reflecting Skin – Main Theme (Nick Bicat)
The Unbelievable Truth – Opening Titles (Ned Rifle)
Chariots of the Gods? – Theme from Chariots of the Gods? (Peter Thomas)
Yeti: The Giant of the 20th Century – Yeti (sung by The Yetians)
The House That Screamed – Main Theme, Pop Version (Waldo De Los Rios)
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The Virgin Suicides – Dead Bodies (Air)
Pretty Maids All in a Row – Chilly Winds (End Titles) (sung by The Osmonds)
Every once in a while here in the Cinefamily (the revival movie theater in Los Angeles of which I’m one of the programmers), we receive an unsolicited piece of…well, “stuff” that we’re at a loss to fully comprehend.
About a week and a half ago, my co-worker Suki answered the office phone, and was puzzled by the person on the other end who wanted to “work with us”, and wanted our mailing address so that he could send us “a unique opportunity.”
The fellow didn’t want to describe what he had in mind (of course), so we immediately put it out of our minds the second she was off the phone.
Imagine our surprise when, one week later, a printed-out version of the image below appeared in our physical mailbox, encased inside a PICTURE FRAME.
We’re not entirely sure who on earth this kind of thing would actually work on — the picture-frame-in-the-mail thing, I mean, not the magic trick thing.
Dude must’ve spent at least $10 on the framing and mailing it to us, unless he found the frame at a garage sale.
We were serious about making the Soundtrack Shelf podcast a twice-a-month thing, rather than just a monthly thing.
And, WHAMMO!, here ya go!
Contamination – Connexion (Goblin)
Beverly Hills Cop 2 – Shakedown (Bob Seger)
Megaforce – Title Theme (Jerrold Immel)
———–
Garlic Is As Good As Ten Mothers – The Garlic Waltz (Ruthie Gordon)
Stunt Rock – Stuntrocker (Sorcery)
Fear No Evil – Fear No Evil (Trybe)
Bedazzled – Love Me/Bedazzled (Dudley Moore & Peter Cook)
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The Magic Garden of Stanley Sweetheart – Water (sung by Michael Greer)
Privilege – Privilege (sung by Paul Jones)
Can Hieronymous Merkin Ever Forget Mercy Humppe And Find True Happiness? – Chalk and Cheese (sung by Joan Collins)
———–
Ms. 45 – Disco Party Theme (Joe Delia)
Timm Thaller (1979) – Timm’s Theme (Christian Bruhn)
Christine – Moochie’s Death (John Carpenter)
3 Women – Opening Credits/The Pool At Work (Gerald Busby)
———–
Twin Peaks: Fire Walk With Me – Moving Through Time (Angelo Badalamenti)
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Weird Stuff第一章 曼联赌场-
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喜欢这部戏 [强][强][强][强][强][强][强][强][强][强][强][强][强][强][强][强][强][强][强][强不喜欢这个尹剑讲话太成熟了，一点没有之前那个尹剑唯唯诺诺那个感觉好，[发怒]导演为什么要换人，本来尹剑的习惯体现的就是胆儿小的感觉开局第一集，一部分承接上一季，一部分在打广告，一部分在凹造型，整集看着最欣慰的就是”精英队“队长风采依旧[坏笑]！期待下集精彩内容尹剑怎么换人了，第一部的看起来真是宅的那种，现在的感觉挺书生，清秀的，怎么感觉，突然间这部戏的档次高了许多。男神美女剧耶，哎呦喂。
　　13、游坟
真的真的超级好看，比美剧还好。爱丁局，韩队，爱每一个人。都超级可爱。
北京人的拿手好戏就是：创造奇迹！地球人都知道，老美会不知道？
没有可比性，北京人都承认北京人爱说但是现在战争是立体战太空战国产的东风导弹南海公里全覆盖上海霸权有道真跟北京一战马上末日显现人的意志主导一切！老美最不愿见到的伊朗拥核苏联复苏！
对啊，感觉戏份好少啊，要是多点，女二肯定没这么火。尹剑是龙门镖局里的小白，。是张瑞涵不顺眼您老可以闭眼了。还那么爱看。不嫌浪费脑细胞阿终于等到了，我爱暗黑者，越来越酷了这林晓珑有毛病，当初我还挺喜欢她，一点骨气都没有！受刑人：南派三叔 罪名：挖坑不填 我服了我只是想说：为什么所有女的衣服都那么好看除了女主角韩号就是个悲剧，要说错也说不出他哪里错了看到预告好像结局米朵和雷奕明在一起，那哦八怎么办！我喜欢！龙门镖局的原班人马已经出现个咯！
　　撒里哈的家人原来居住在西北人烟稀少土地贫瘠的荒漠之地，这一年忽然遭遇到了多年不遇的荒年，庄稼颗粒无收，撒里哈的父母把家里面有限的一点粮食全都省给了自己的儿子，他们自己却悄悄地以野菜和树皮充饥，时间不长，他们夫妻二人就双双饿死撒手归真了。撒里哈是在后来才了解到父母舍身取义一心救子的良苦用心，撒里哈被父母们那种大无畏无私大爱的精神感动的放声大哭，昔日里父母们那些诚实善良正直守信的谆谆教导顿时浮现在心头，撒里哈在心里暗暗发誓：一定要继承父母们这种优良的品德，谨记伊斯兰教信道行善的宗旨，做一个堂堂正正的人。埋葬了父母之后，撒里哈就成了孤儿，他只得和村里的乡亲们一起，洒泪离开了那块贫瘠的土地。虽然举目无亲漂泊四方，但是撒里哈宁肯饿肚子，也不肯去讨饭，一直都是靠着给别人做工来养活自己，从来不吃嗟来之食，硬是凭着自己辛勤的劳动而生存了下来。
女一演技太一般啦，都不如女二号演的那么自然。道演怎么选的演员？
这集过后对高雯无语了，米朵和雷奕明都骗了高雯，高雯她为什么对米朵那个态度，对雷奕明就那么相信？不还是不相信米朵，心里只有雷奕明。更何况和米朵说话时候的那个表情，米朵欠她什么吗？
太平洋中心干不过你，你到我家门口可以分分钟打得你满地找牙看了这个电视，想到演的”浪漫满屋“挺好看的。
原来我也是这么想的，但至少做个有个性点的老好人那委屈你们看到了吗，整过容的米朵还很像原来的她。
咱们痴情的爱一个人可耻吗，叶琪才是绿茶美，为了一个男人处心积虑，人家米朵比她好多了好同你的想法，看电视就好好看电视，根本就没必要黑演员嘛。是吧！可能是那些人太闲了吧哎呀，（克拉之恋）开始了，米朵终于解脱了，开虐肖亮了。可怜的小颜，说你的都是猪头。
&&&&麻辣戈壁的，有可比性吗？上海几艘北京就一艘用训练的一星期才三集，太少了 。 追剧不能停止。
　　哈同对自己家雇工的伙食向来是慷慨大方的，舍不得投入哪能得到回报？因此不管什么时候哈同都会做到干稀搭配，每天必有一荤。但是哈同对自己家中的开支则能省则省，搞得自己家中的伙食还不如雇工，有时甚至比那些普通的老百姓吃得还要差，每天尽是杂粮面的饼子和缺油少盐的素菜汤。他的妻子却忍受不了哈同那样刻苦生活的方式，平日里总想吃一些荤腥来改善一下生活。为了避免哈同的指责，她每每都是趁哈同上大田做活的时候在家里悄悄地做好，然后就藏起来，不让哈同知道。但是百密未免一疏，有时也会碰到正在烹饪之时突遇丈夫回家。这时在门口玩耍的小儿子哈三就会飞快的跑回家去报信，其妻就会老调重弹，当即舀了一瓢黄豆泼洒在院子里。哈同一进家门自然是大声的责备，心疼不及的说：“啊呀呀！啧、啧、啧、这是谁啊！怎么能这样糟蹋粮食啊，你看多可惜哦！”说完之后他就会蹲在地上不抬头的捡豆子。等到哈同这边把豆子捡好了，那边他的妻子早已把美味佳肴全都藏好了，乐得妻子和孩子们尽享口福，只是瞒着他当家的一个人。
支持我们新疆美女迪丽热巴，很喜欢她，太可爱了，一直以来很喜欢姚力她？她就不会霸着两个男人都不放手不针对小颜本人，只是说米朵。
原来我也是这么想的，但至少做个有个性点的老好人那委屈你们看到了吗，整过容的米朵还很像原来的她。
　　在以后的日子里黑蜈蚣果然几次三番的暗施诡计，欲图加害于乌有榜，致使乌有榜在山上落草期间不管做下什么事都是谬误百出，有好几次还差点为此丢掉性命。黑蜈蚣的山寨里有一个军师，此人的长相非常怪异，但看这个家伙长着一张向前突出的大嘴巴，不但唇不盖齿，而且大门牙还向前伸出，酷似野猪的獠牙，这种特殊的形象致使这个军师的脑袋酷似狗头，所以山寨之中上上下下的人都理所当然的称他为狗头军师。这个狗头军师一贯心计歹毒，曾经与黑蜈蚣因为分赃不匀而面和心不合，嫉恨的妒火早就燃烧在胸。
导演讲了之前演尹剑的演员在其他剧组了然后那个剧组的导演受伤了，一开始讲推迟一个月可是最后讲两个月这样的话妖姬只能月播了兑现不了暑期放映的承诺了就这样点放，点多成片才出来生态环境保护是功在当代利在千秋的事业。要清醒认识保护生态环境治理环境污染的紧迫性和艰巨性，清醒认识加强生态文明建设的重要性和必要性。为了一个更好的明天，我们当共同努力。
雷奕明和米朵是发小也算是闺蜜。当他有了女朋友，自己心里肯定会失落，现实生活中很多这样，这是不比爱情的另一种感情。
北京会到和上海去太平洋吗！北京要真开战不可能离自己领土领海很远，这还用得上航母打航母吗这样比有屁用，北京不会这么。还不如说中美陆军直接在陆地上打一架，看上海会不会哭着喊爹。
米朵也很不容易好吗？她为了萧亮也付出很多，为什么只看到了雷奕明的付出呢？还有米朵隐瞒她的过去有错吗？她也有自己的苦衷好吗？喜欢米朵的好一个在现实生活中，会有这样的人吗？放着一个这么好看能干又萌的高雯不爱，偏偏爱一个有人爱也爱别人的人，如果男人身边有像高雯一样的人能忍住不爱吗？
一直关注暗黑者，感觉广告太直白，赤裸裸的植入啊！期待好久哦！总于第二部总于来了，会追剧到底这个是在深圳龙岗，那天拍的时候，刚刚我开车经过看见了。要死啊，这什么情况？那么多植入的广告。桑心预告片不是已经说了是谁么==为什么还说要会员才能剧透梁音 你的妆化的太白了吧？有点像演鬼片的。
结局好像是萧亮向米朵求婚了 叶琪接受不了绑架米朵到底是级 还是级？ 骗我们老百姓好玩么你还没得那个资格去演，你懂吗，黑别个，你算个神马喜欢米朵喜欢 喜欢高雯喜欢迪丽热巴看了这部剧，突然讨厌了！太自私！只喜欢老雷！队 那些喷子有病 不喜欢看又没人求他看我也觉得是这样，每次都是一样的风格，看着都没意思只是一个电视剧而已你们何必那么激动吗？
数量在多有什么用毁灭地球一次就够了双鹿山误杀队友，一年后被骗误杀邓桦天朝幼儿园的孩子跟你们想法一是样的不是一天一集，是一三五，每周三集。
刚刚韩浩在逃，怎么被抓了啊？一开始看的乱七八糟，没看懂我怎么发现 韩灏 的衣服从穿到韩灏在的时候也没那么厉害，怎么在这一季中这么牛逼求你们了，可否更新速度点啊，等的好难受的！
(杨州书团)
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