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建筑是你看世界的眼睛
艺术绘画建筑三维虚拟转化_彼得Jellitsch
小一室曲线
ECDM建筑事务所项目-Valentin apartment
ANANSI / Mulders vandenBerk建筑事务所
这栋小小的建筑是荷兰阿姆斯特丹乌得勒支公园的一个游乐设施。建筑表面使用了可丽耐材料，上面刻满了来自世界各地的童话故事，激励和启发孩子们的好奇心和创造力。
建筑坐落在一块空地中，将操场分成两块，一边是青少年场地，一边是幼儿场地。中间的游乐设施有三个独立的，色彩绚丽的互动游戏室。每个房间都非常有特色，邀请孩子们在其中玩耍，发现，创造。和多彩的内部相比，建筑的外观是宁静的白色。大幅的墙面上刻着线条，仔细看，可以看出一些图案。这些图案均来自世界各地的童话故事。建筑师希望这个设计可以激发孩子们的感官和想象力。
＆非常感谢将项目介绍和项目图片授权gooood发行。
升值对提供了以下的描述：
通过Mulders vandenBerk ANANSI游乐场大厦建筑事务所&
Mulders阿姆斯特丹vandenBerk建筑事务所已经完成了的操场建设
中，荷兰的乌得勒支的 公园，
童话故事来自世界各地的图像刻有一个可丽耐的外观。建设的思想是激励和激发
孩子们的好奇心和创造力。
在两个展馆分割的操场。一边是青少年，其他
幼儿。内部分为三个独立的游戏室，具有鲜艳的
色彩，简单的家具和互动的元素。每间客房都涉及到一个
单独的门面和它的上下文提供了一个具体的方向。这种结合的一个
独特的&墙纸&给出了一个特殊的身份，每间客房。设计邀请孩子
玩，发现和发明的游戏。
操场上有许多
攀爬架和幻灯片的&活跃&的建筑外观是相反的。该建筑是一个平静的绿洲，在操场上。外观
是一个大的白色可丽耐表面，研磨锯齿线。乍一看，只有
线。第二种观点揭示了装饰的字符，来自世界各地的童话故事。
平面设计工作室设计Arbeid同时选择了附近的孩子们
的各种童话故事。平面设计是数控铣削的门面，刺激
感官和想象力。&&&
项目选址：Peltlaan 130 EC乌得勒支，3527&
主要：乌得勒支市，部DMO&
建筑师：Mulders vandenBerk建筑事务所，阿姆斯特丹
团队：Joost的Mulders，克里斯&范&登伯克，
范德李Robbert，卢卡斯托雷斯，
张柏芝汤姆森，Idette德波尔
平面设计外观设计Arbeid，阿姆斯特丹
摄影：维姆&Hanenberg&
罗埃尔Backaert&
博伟达面包车范德萨
承包建筑：Barli BV，于登的
承包商的外观：Roord binnenbouw，阿姆斯特丹
开始时间：2008年10月
竣工日期：2009年10月
计划：日托/播放
地盘面积：9750平方米
建筑面积：150平方米&&&
多态安装 - 动力学双面台
十大建筑系的学生最近完成的从的的多态的动能行动的启发，采用了创新的设计和工程解决方案，安装一个拉锯和运动的紧身回荡。该小组包括，亚伦&哈里斯，詹妮弗&张，亚历克西斯博雅查理能和Ivy Chan，特雷弗Hollyn托布，布赖恩&李，伊丽莎&蒙哥马利，弗农Roether，和大卫&翟。
安装的双面台，您将通过一系列的119独特的，相互联系的部分转换成一个躺椅上最后一个互动的平衡板组成。这些部分是通过本发明的枢转和螺栓系统，该系统允许一个部分的垂直运动被拾起别人向下行连接。总之，这项议案允许，安装改造成起伏的一系列水平的部分被激活的形式，通过其乘员的互动。
的长椅，而整体的形式被实现为一个连续的风景，每个座位的条件是根据对现有的符合人体工程学的公司设计的，为了最大限度地提高舒适性和功能性。这是进一步的实现允许其运动的耐受性，以符合的激活的点的运动的部分使用简单的重量作为乘员的姿势。松紧带联系在一起的一系列的内槽和加强联轴器位于中央的枢轴杆，防止横向运动，在运动过程中，确保安全。
设计的多态本质上是可持续的，由于金融约束的一万美元的预算。被分解成小件和线性，最大限度地量配合上一张胶合板的设计。总体而言，整个安装过程只用了18页的三夹板，即利用效率在90％以上。
在它的核心，设计安装不仅是一个创造性的解决方案的设计思路，同时也测试的限制和数字化制造能力，它的作用在推进建筑和工业设计的做法。虽然安装了规模和尺寸，所开发的系统具有更大的和更广泛的发展取决于资源和材料的可用性的能力。的设计同样可以很容易地调整，以适应不同的空间和环境条件和情境的需求。联合系统的可扩展性和设计共同创造一个真正的参数化系统中，它的使用不仅是为了美观，但建设，功能性和舒适性好。
Atelier-Bisque Doll / UID – Keisuke Maeda
关键词：建筑 艺术家工作室 私人住宅 模糊边界 开放 日本大阪府箕面市 UID & Keisuke Maeda
这是为一对从事娃娃艺术的夫妇所设计的工作室和住宅。工作室不光要能进行工作会议，还要如同画廊般展示娃娃艺术品。这里应该是一个可以和朋友聚会的愉快空间。工作室和住宅都需要具有开放感，同时拥有恰当的隐私。
建筑师在春天到达这里的时候，感受到这个城市的葱郁，在大阪府箕面市，城市地区绿化覆盖率达到40%以上。
既然要营造一个开放也保护隐私的建筑，外围建造围墙和栅栏是不可取的。建筑师设置了两条漂浮的墙带（住宅外围一条，工作室外围一条），墙带让绿色保持连贯，同时界定空间。
工作室的地面和住宅的地面有1.2米的高差，两个面之间通过一个斜坡相联系。住宅里面设置必要的功能盒子，并通过衣柜这样的家具划定空间。整个区域就像是一个临街自由阳台。
边界模糊的开放性建筑，实现了城市中没有围墙和围栏的建筑，与景观产生了新联系。
Requests and Characteristics of the Site
This is an atelier for a doll artist and a residence of the couple. The request was an atelier that can be used as a gallery at the same time functioning as a doll-making studio. Additionally, it should be a space where her friends, who are often invited, can be gathered around pleasantly. In the residential environment the atelier and the house are wished to be open, while reserving some privacy from the neighborhood.When I first visited Minoh City in Osaka Prefecture, I remember the place was plenty of green. It is because the season was spring, but also the city was ordained by vegetation standard, which order more than 10% of the site to plant tall, middle and low trees in urban districts with lower than 60% of building coverage ratio.
Form without Territory
In order to secure privacy, we through if it is possible to do so with more people&s involvement rather than building walls or fences on site boundaries and capturing the whole from inside.That is to create the whole from outside by choosing the neighbor&s greenery as outdoor space and not producing necessary functions from inside. Not something like walls, hanging walls or fences but waist-high walls that are freed from gravity or floating belts surround the entire site. This is a theory to create architecture that is interior-like extending from outdoor, opposed to substantial in/out territory.
Floating Belt
Specifically, we expected that territory, which dose not regulate in/out terrain, be made by a spatial diversity that is derived from floating belt, which is accumulated double or triple in rectangle taking balance, and the belt itself.Employing 1.2 m level the difference in the site, two functions are allocated to where floating belts overlap. Atelier is put on the lower part facing north-looking front street and the residential piece on the upper south side. An approach was built as a slope as if walking on the slanted topography. By putting a small box that stores necessary functions such as a closet in the atelier and the house, it becomes a space like a street-facing piazza that has no region. The two functions become one room space by triple pile of belts.A simple operation of overlapping belts that have directionality obscures site boundaries and formulates a relationship of the site and the neighborhood that contain new extent.That is to say, the entire site becomes a gallery without body-sensed territory and that is connected to creating variety of places that the client requires.In this occasion, we think we could realize a space that has new link to a city by rethinking notion of walls and fences that obstruct boundaries and treating architecture, structure and landscape equivalently.
Name project ATELIER-BISQUE DOLL Architects & UID & Keisuke MaedaConsultants & Konishi Structural Engineers & Yasutaka KonishiTakeshi Kaneko, K-style & Kousou Katayama,Toshiya Ogino Environment Design Office &Toshiya Ogino,landscapeYamato design & Makoto Ouchi,logotype design
General contractor &Seiyu Kensetsu & Yukihiko Nishida ,Mitsuhiro MatsumuraStructural system &steel frameUsed materials &mortal, mortal,plaster board, interior
Site area &328.16 ㎡ Built area &151.25 ㎡ Total floor area &151.25 ㎡Date of completion &November, 2009
Location &Minoh, Osaka, JapanAll images && Hiroshi Ueda
mark&&转自&
浮桥 PONT DE SINGE BY OLIVIER GROSSET?TE
法国装置艺术家的作品&Pont De Singe&构想出一个梦幻般的超现实主义情景&&一座由三个氦气球吊起的浮桥，这座轻如鹅毛的桥稳稳的漂浮在英国的湖上。的艺术作品挑战了设计与工程的各项规则，这件独特的作品亦是他2007年&Pont Suspendu&装置的延伸。&Pont De Singe&创造了一种抽象微妙的感觉，将人们白日梦中的幻想情景在现实中实现。（文字：designboom）
2007年&Pont Suspendu&装置
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秘鲁利马旋转塔公寓竞赛方案（设计：LYCS）
每一个单元都旋转了45度，以创造规划中的十字形，以及一个铰链线性体量的外观。每个单元都是一个复式结构的排屋，并有一个花园露台及泳池。由于塔身整体独特的几何形式，每个露天都能够感受到热带的阳光和微风。连接二层楼板和上一楼层单元底部的金属结构使得用户从房间里望出来的视野更加宽阔，这取决于结构光滑的表面使得两个几何盒子融合在一起。本项目作为现代设计趋势的实验，从今以后，都将坚持其独特性，以区别于传统或者不标准的秘鲁利马市内的城市规划。
空间解读——读《重屏》而感于“透明性”与“窥探性”（转）
第一次知道这边书，是在唐克杨的一个讲座&&《潜影》。唐克杨的&潜影&和巫鸿的&重屏&算是比较新奇的中国艺术的切入方式。
对于我而言，一直感怀于中国绘画的美，然而这种喜爱，充其量是一种视觉上的倾向，对于具体绘画的理论却不慎了了。虽然尝试着画论的阅读和听从名家的解析，然而这种解析都伴随这一种主观性的评判，毕竟对于意境，势，三远等的评价都不是那么的直观，虽然能够有一些人云亦云的了解，然而对其解读，自己并不确信。
或许由于所学建筑学的关系，我更倾向于一种图示性的直观评判，或者是想功利的知道，这种绘画空间跟建筑空间是否能有一种内在的联系性。
而读完巫鸿的这本书，有一种由衷的欣喜，他从空间上打开了一扇解读中国绘画的窗户，而这种空间概念，对于设计上或许能有一种最直接，最功利的帮助。
这种对于绘画空间的解读期盼，当我在看到其中一段，巫鸿对于《韩熙载夜宴图》和《重屏会棋图》的图示空间的剖解，二者是源自同一空间的不同解读，看到此处，内心有一种难以自抑的狂喜，仿佛由他带领着，偷窥到了一点点真谛。
《重屏会棋图》故宫本，巫鸿认为图中的屏风透视被修正过，降低了原先的错视感，华盛顿版没找到）
《韩熙载夜宴图》局部
二者巫鸿的手绘图示
巫鸿书中谈论两个画的区别时，引出了相对立的两对词语&&&窥探癖&和&物恋癖&。《韩》图中，屏风垂直于画面，起到分割空间的作用，观者与场景是分离性质的，。《重》图中，屏风平行于画面，牺牲了屏风的事物感，更类似于&窗户&，观者更容易参与到图画中。而如果对于具体绘画的主角而言，《韩》图中的主人公，是处于旁观的角度，换句话说，他是看画者在画中的替代目光；《重》图中的主人公，有一个特征就是他的目光竟然游离于画面外，跟观者有目光碰撞，这明显是&物恋&的特征。
而我通过二者的分层分析，之后，我关注的是这种空间的的叙事，与建筑学空间的关联性。对于二者的空间图解后，偶然想到了时代建筑杂志上的一篇文章《剖面的秘密》，文章通过探讨了，剖面（section），秘密（secret）二者的词源关系。剖面有着一种偷窥的形式意义。如果联系到建筑分析图里，则分别对应着两种有趣的分析图，一种是bow-wow的剖透视，一种柯林罗提出现象透明性的分析图。剖透视，目的在于剖开建筑，窥视内部的空间活动。立面叠加，目的在于理清不同层之间的渗透和错视关系。
或者说某些更加丰富的空间，通过这两种手法来清晰地展现出来。
柯林罗空间分析&&透明性
bow-wow剖透视&&窥探性
如果分析具体的这两种&窥探性&和&透明性&二者似乎又是一种矛盾的状况，窥探性意图展现清晰的内部结构，而透明性更重要的是展现一种复杂的迷惑性，一种错视。一种由外而内的的剖解，一种由内而外的掩饰。
不知对于这样的转接是否牵强，或者是否有任何的实质意义？可能结果并不重要，这种中国绘画里和建筑空间的实质性联系的发现，能让我在各种理论的迷障之中看到一点光亮，这就足够了。
转载自：御风独立/note//
巴黎瑞士学生宿舍 BY 勒·柯布西耶（LE CORBUSIER）
这是一个公共的学生宿舍，在Zurich的封建主义与Raolu La-Feauter的影响下，Siegfried Giedion 和 Karl Moser、瑞士大学联盟将瑞士学生宿舍的委托案交由Le Corbusier(柯布)设计。在这个校园中也有其他的现代建筑语汇，包括了荷兰学院(W.M.Dudok 1930建)。从瑞士馆的曲面边缘延着连续的200公尺道路直行就可到达巴西学生馆。瑞士学生会馆在整排国际学生宿舍的东方最底端。柯布在设计时预期参观者将会开车由北边抵达这曲面的石墙前。而现在，只要获得管理员的同意买门票后即可入内参观。
整栋建筑立足于一排巨大的柱子上主要部分为一长方体，其中一个面由玻璃帷幕构成，另一面则谨 慎的接续了以粗石砌，具有曲线外墙的楼梯间。由立方体型式构成的主体建筑前方、楼梯间、入口门厅、 和服务空间较低矮的外墙则很谨慎的被塑造成波状墙面。这种建筑群体的配置手法不仅给建筑带来了& 肖画&的效果，更在静态的主体建筑前带来了一种运动扩张的表现。入口门厅的内部空间也由于墙面的波 状运动产生予人印象深刻的动态效果。
学生们居住在沿着南方侧面许多单一走廊而建的个别量体中，以玻璃覆盖作为提供房间光, 空气和景 观的一个构想。因为外壳无法产生最理想内部环境，不久便增加了一些遮蔽装置，因而减少墙光滑的外观，也加强南方玻璃墙的合理存在性。沿着这个走廊的北方墙面，在石砌的外壳上有一个钻孔的小窗户，这 墙壁使人联想到这是一个未完成的作品但可能会实现的乌托邦环境，在对比到这无重力的玻璃墙壁中的暧 昧尺度，pilotis有一个崇尚自然法则的形体,建造这个平板在表达是按照由人类的构成而建造的，柯布首先 建议他们以修长的形体钢柱，作为构造地点上薄弱土壤的基础问题的一个实际的解决办法。
在展示馆的室内，纵横行列和墙，是如此的弯曲，如柯布描述他们&蓄意的变形&，因而创造一个那样的空间，是一个连续的压条，为立体派艺术家之方式，因为前庭的区域、楼梯、大厅及餐厅是具压缩含括的，透明清澈的，他们几乎同时的被感受到像是一个流动的空间，在这分至圈上不可抗拒的线展示出在室内裡如此明显的区域。根据这个不可抗拒的因素下，似乎存在一个紧接在一起的厚版、楼梯、塔楼，及于楼板上的桥樑，这多方的弯曲启发了匯集体积本身是变形的空间及他的变形是创造出一个在光与灰暗之间被剪断的线。巨大的柱脚虽然是结构机能上所必须，但形式上又可看出柯布对拟人化型态的兴趣。
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BETON HALA 滨水中心 BY 藤本壮介（SOU FUJIMOTO）
日本建筑师最近完成了塞尔维亚贝尔格莱德&beton hala滨水中心&项目概念设计。基地位于kalemegden公园，萨瓦河畔，邻近要塞墙，这个方案占据了整个基地，并将所有的平面缠绕进一个巨大的螺旋结构体重，这个由丝带状坡道组成的建筑被藤本壮介称为&漂浮的云&。新广场和户外展览空间位于漩涡的中心眼区域。餐厅和咖啡吧位于河畔的可居住屋顶下方，商业空间则邻近要塞墙，便于人们从街道进入。交织混乱的螺旋让使用者在各个区域中的多种功能空间中找寻属于自己的最佳位置。空中的环绕天桥将人行步道从地下停车库分离开，地上交通枢纽连接了轮渡码头、有轨电车和巴士。这座建筑物作为社会和运输功能综合系统，位于文化中心区，用自由流动的循环漩涡系统连接了多个区域。
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BASKET学生公寓 BY OFIS
在巴黎第19区的parc la vilette有一块11米&200米的南北向的地块，斯罗维尼亚事务所在这个基地上完成了&Basket Apartments&学生公寓项目。建筑被分为两个基本体量，共有11层，技术和服务区域位于地下，公共功能布置在首层，还有192间独立的公寓式工作室布置在地上9层，这些空间都分布在一个模数化的钢筋混凝土和钢结构体中。在东立面上，高密度的分层木板将阳台层层包裹，像一个个堆叠的盒子，为起居空间的窗户遮挡阳光和视线。西立面侧包含了楼梯井和走廊，这些交通空间被布置在室外，顶部覆盖了一层曲线形的悬挂金属网。这个透明的立面为户外走廊提供了必要的安全保障，同时也让居住者能俯瞰旁边的足球场。这座建筑在保温和通风上进行了特殊设计，建筑的朝向能吸收充足的自然光线并设有一个可控的集热设备。特殊设计的通风设备减少了对人工照明的需求。公寓有一部分采暖来自于300平方米的太阳能光电板，基地上的雨水收集系统让废水用于花园灌溉。
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坑坑宅 PIT HOUSE BY UID ARCHITECTS
&跟日本设计师 Keisuke Maeda 合作完成的&Pit House&位于日本冈山（Okayama），靠近濑户内海（Seto Inland Sea）。住宅地处一处已被开发为住宅用地的梯田山上。Pit House的主人是一对夫妇和他们的孩子。建筑师采用了一种新的方法审视建筑所处的环境条件，将视野向北面打开，将建筑首层提高了道路一米。建筑与场地的自然环境在同一时间共同存在生长，而不是简单的以环境围绕建筑的简单联系。建筑内部局部空间下沉，完全&进入&到场地中，而场地上的&自然&也部分渗入到内部空间内。例如下沉式的起居室，架到空中的走廊，环形的中庭，空间与环境交织共存，人与自然和谐相处。
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拱道工作室 ARCHWAY STUDIOS BY UNDERCURRENT ARCHITECTS
这座奇怪的建筑紧邻一条铁路线和19世纪的高架桥，建筑由伦敦&设计，名为拱道工作室（ Archway Studios）作为一座兼办公与居住的建筑。为了与周边工业化环境相协调，建筑采取了锈蚀的耐候钢作为外墙材料，看上去坚固而耐久，充满了历史感与力量感。建筑的顶部和一侧山墙为通高的玻璃，侧面也仿佛被&割&了两个口子，&挤&出来两扇大窗，其中一个作为建筑入口。所有窗户开向南面，一个巨大的拱形办公空间位于建筑&中段&充满了阳光却很少受到外界干扰。居住部分则位于北侧。
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fuksas: georges-freche school of hotel management in montpellier, france
'georges-freche school of hotel management' by massimiliano and doriana fuksas in montpellier, franceimage &&
&have inaugurated the georges-freche school of hotel management in montpellier, france.&built upon a 3.95 acres lot in the ZAC port marianne area of the region, the horizontal development involves two main buildings&connected by footbridges that cross a tree planted central courtyard and includes accomm&ho and athletic track and sports ground situated outside. students and professors enter&the complex through an arch while, an entrance on the opposite side is for clients.
two buildings that form the edifice compose the sculptural mass which encompasses the gym, student's residence and management.&the first structure is comprised of three floors and features a multi-purpose room, exhibition gallery, administrative offices, classrooms,&and canteen exits leading towards recreational outdoor areas. the second Y construction has two floors of space dedicated to&vocational teaching areas, as well as to the hotel and gastronomic restaurant, a brasserie and a teaching restaurant,&a bread-making workshop and a pastry making classroom. these programs showcase the institution's excellence and are the most&important areas of the project.
students and professors enter the complex through an archimage & moreno maggi
the interior designed by the fuksas' is comprised of areas that are accessible to the public as well as spaces dedicated&to the gastronomic sector and hotel. within the entrance hall, a large reception desk which comes in the form of a&white lacquered sculptural object mirroring the fluid forms and solid character of the structure, is covered in materials&for making boat hulls. within, there is also limited edition furniture made for the hotel. the school walls and those&of the student residences are painted in colors, on each floor, from yellow to green, magenta to orange,&serving as distinguishing markers of each sector.&
the facade of the reinforced concrete framework is covered in 17,000 cases of anodized aluminium in triangular shapes,&each one bearing its own specific bar code so that it can be identified for a specific situation. these materials have been&adapted in order to adopt the curved and fluid shapes as required by the structure. this metal 'skin' is further developed&by the application of 5,000 triangular glass frames mounted on metal nets, each one different. photovoltaic panels&have been installed on the roof of the first building, as well as on that of the apartments for management.&
walkway through the buildingsimage & moreno maggi
image & moreno maggi
detail of the edifice which is covered in 17,000 anondized aluminium trianglesimage & moreno maggi
image & moreno maggi
street view
image & moreno maggi
view of the athletic track and sports groundimage & moreno maggi
image & moreno maggi
image & moreno maggi
vocational teaching area
image & moreno maggi
the school walls and those of the student residences are painted in different colors to identify the various programs of the spaceimage & moreno maggi
linghao architects: house 11
'house 11' by linghao architects, singaporeimage &&
all images courtesy of linghao architects
a 1920's two-level house in geylang, singapore, has been recently refurbished by local practice&&to accommodate&a contemporary lifestyle in an aging city. the new five-storey residence can be observed as two livable blocks connected by an&open-air courtyard with winding staircases and bridges connecting the&two volumes.&
the original street-side facade is maintained, with a new pitched roof structure that opens up a new mezzanine. the large proportionsand visual connection between each room makes the constricted site feel much more spacious. dark wood decking contrasts slendersteel elements and white structural components. plenty of natural light is brought into the space through a small clerestory, while&sliding glass panels increase privacy but allow for the diffusion of light.&
the addition is a semi-interior construct with an entirely contemporary structure composed of concrete shear walls and floor slabs.translucent glass boxes are situated in the middle of the floors for private rooms as the rest of the space is essentially an exterior terrace.the back facade is covered in a metal screen that allows ample light all day long as well as a direct connection to the surrounding&environment. the journey through the residence proves a dynamic experience as each part provides a series of views, smells, sounds,and sensations.
mezzanine space in the original structure&image & jeremy san
entrance to the original houseimage & jeremy san
view down the courtyardimage & jeremy san
courtyard spaceimages & jeremy san
entrance to new additionimage & jeremy san
(left) connection from the old structure to the addition(right) a metal screen constitutes the entire back facadeimage & jeremy san
addition interior spaceimage & jeremy san
view towards the original front entrance from the addition&image & jeremy san
stairwell at nightimage & jeremy san
image & jeremy san
roof terraceimage & jeremy san
metal screen back facadeimage & jeremy san
backimage & jeremy san
front facade from the 1920'simage & jeremy san
floor plan / level 0
floor plan / level 1
floor plan / level 2
floor plan / level 3
floor plan / level 4 - rooftop terrace
longitudinal section
project info:
location: lorong 24a geylang
site area: 154.6m2& ( 25.4m x 5.1m)
built up area ( gfa): 411m2
lha project team: ling hao, kaili koh, keith chen
model & presentation drawings: lim zhi rui and chan hui min
structural engineer: edp consultants pte ltd
contractor: komex building construction pte ltd
09.19.12&&
ai weiwei / fake design: estanzuela sanctuary, ruta del peregrino
'estanzuela sanctuary' by ai weiwei / fake design, ruta del peregrino, jalisco, mexicoimage &&
along the ruta del peregrino, pilgrim's route in jalisco, mexico, the 'estanzuela sanctuary' by beijing-based architect&&of fake design is a structure which carves into the landscape. crossing the existing path, the line obstructs and redirects visitors traveling&through the site to experience the immediate location. beginning submerged at the northern end, a stacked stone structure rises&to ground level to perpendicularly meet the meandering route, and continues to rise above the terrain towards the southern tip.unifying the opposing ends, a continuous bench stretches across the length of the bordering walls to create diverse stopping points&to feel intimacy, shelter and openness along the single axis.&
spanning 117 kilometers between ameca and talpa de allende, the historical religious pilgrimmage, 'ruta del peregrino',&attracts 2 million people each year. seven landmark projects are realized or nearing completion along the way,&giving better conditions to individuals whom embarked upon the journey, which ascends to an altitude of 2,000 meters&above sea level.
see designboom's previous coverage of the designs and buildings&.
meandering path crosses the linear stacked stone structureimage &&
benches line the walls of the linear structureimage &&
aerial view of estanzuela sanctuaryimage &&
entire ruta del peregrinoimage & mario vazquez
exhibit at the venice biennaleimage & designboom
exhibit at the venice biennaleimage & designboom
exhibit at the venice biennaleimage & designboom
project info:
project title:&estanzuela sanctuary&
location:&estanzuela
state:&built
architects:&ai wei wei / fake design&
team:&andy lee, andre? murer
title of the whole project:&pilgrim&s route
client:&secretary o secretary of tourism aurelio lopez rocha
program:&pilgrim&s route masterplan
location:&from ameca to talpa de allende, jalisco, mexico.
curatorial team:&tatiana bilbao and derek dellekamp
masterplan and project coordination:&tatiana bilbao, derek dellekamp and rozana montiel&
research team:&rozana montiel/perife?rica, adiranne montemayor, carlos zimbro?n
invited architects:&luis aldrete / luis aldrete | arquitectos (mexico), tatiana bilbao / tatiana bilbao s.c. (mexico),derek dellekamp / dellekamp arquitectos (mexico), alejandro aravena / elemental (chile), emanuel christ and christoph gantenbein / christ & gantenbein (switzerland),tilo herlach, simon hartmann, simon frommenwiler / hhf architects (switzerland), rozana montiel / perife?rica (mexico), ai weiwei / fake design (china)
invited designers:&godoylab (industrial), omar orlaineta (graphic), toa taller de operaciones ambi- entales (environmental)
jackson clements burrows architects: keast park community pavilion
'keast park community pavilion' by jackson clements burrows architects, victoria, australiaimage &
all images courtesy of jackson clements burrows architects
arising out of the ashes of the dilapidated bowls club, australian practice&' 'keast park communitypavilion' is a new multi-purpose gateway to the city of frankston in victoria. the new program layers several athletic activities withsocial functions, meshing the carrum bowls club and sea scouts with an event space and cafe. wood planks mark cubes that wrap the&steel structure of the ground level. these timber volumes house a lounge, small store and restrooms, as well as mark entryways to thebowls pitch as well as provide protection from the ocean wind.&
the second storey extends the concrete floor plane with wooden terraces that offer seaward views to the west, as the deep overhang providesshading in the summer. the irregular folds and angles of the roof element mirrors the natural undulations of the adjacent dunes.&a similarly jagged timber path connects visitors to the sea while bends upwards to create a protective wall, further reinforcing the idea&of permeability through the building. water tanks are installed under the construct to store collected rainwater to be used in irrigationand in restrooms. wood, which is an abundant material used for structural purposes as well as cladding and decking, was locally sourced&from sustainable plantation timber farms to reduce the impact on the natural environment.
upstairs interior multi-use spaceimage & john gollings
(left) exterior corridor
(right) exterior stairs
image & john gollings
voids between the wooden boxes permeate the structure to create a gatewayimage & john gollings
view from the bowls pitchimage & john gollings
(left) view from the dunes(right) approach towards rampsimage & john gollings
wooden deck leading to the seaimage & john gollings
bird's eye viewimage & john gollings
floor plan / level 0
floor plan / level 1
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